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The names have not been changed, because no one (not even the artist or the sanctity of childhood) is innocent. The films in the chronicles are three home theatre distinct documents of truths tempered with hindsight and self-editing, exploring the origins of Broussard's home theatre life-long attraction to other fat boys and men with side trips through the many incidents, feelings and fetishes that have sculpted his queer self-image. The work takes a rare look at body image from a perspective usually only explored in feminist works. Although it is designed to be screened as a feature, each part can be screened separately. Not being able to cast young actors to recreate the traumas and ecstasies from his youth, Broussard uses the art of appropriation ("Fair use" of pre-existing media) to recast his life. "Show us the little boys' dicks!
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