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Nianhua derived from 'paper gods' and other forms of utilitarian-magic art and made use of symbols that were traditionally and conventionally seen as auspicious, including those for long life, a government career, and wealth. This delta contributed to their popularity among the people. Often, they featured mythological personages like the Kitchen God, the Door God and the God of delta Longevity; this turned them into delta magical charms to drive away bad luck. When the CCP appropriated New Year prints for propagandistic purposes in the 1940s, artistic and aesthetic forms were selected that the people had grown accustomed to, filled with new, revolutionary content. But the revolutionary artists looked down on these old forms of popular culture; they were more dedicated to the cosmopolitanism of the cities. They considered traditional art forms to be too intimately connected with the elements of 'feudal,' Confucian superstition.
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